Handmade Clay Pot (Small Coal Pit Clay Pot Handmade Vessel)
August 14, 2025
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Zhulü Jùnzi's teapot, made from hand-cooked purple clay, absorbs the essence of traditional craftsmanship. The body is round and smooth, with a rounded spout and an increased curvature to the lip. The handle floats elegantly in space, forming a beautiful ear-like curve. Every detail is proportionate and practical. This piece is truly a rare gem.
The potter's wheel used by Zhu Ni is a traditional technique that has been passed down through generations. The spherical body, round spout, and increased curvature of the mouth all demonstrate a deep understanding of traditional techniques. Even the handle, which seems carefree and relaxed, forms an elegant curve when viewed from above.
The Xì Yī Pō (Laughing Cherry Jar) is a type of Qizhen teapot. The body and lid are made of pure red clay, with a delicate handle made from the same material. The lid has a unique design with a small, rounded spout. The entire piece is covered in delicate patterns and designs that resemble bamboo or plum blossoms.
The small coal kiln clay body is flat and low, ancient and simple, showing a sense of elegance and uniqueness. The shoulder line combines with the streamlined shape, making the spirit of the vase come alive. The entire jar has an arc-shaped curve on its shoulders, which is smooth and full, subtly connected to the streamer and handle, and flows naturally and harmoniously from front to back, endless musical flavors!
Lotus Seed Jade Fingers
A tiny coal kiln is made of green glaze, with a lotus-shaped lid that is plump and round. The design is press-on type, the mother-of-pearl line tight and seamless. A small spout on one side can be delicately raised to let out water freely, while the handle is shaped like a bead, shining brightly. The mouth of the vessel is rounded and thick. The body is adorned with a picture of shrimp playing, while the inscription reads "Observing life at ease".
West Lake Hand-painted Celadon Jar
The ancient kiln red terracotta vase, seemingly simple yet strict in its design, is smooth to the touch without being oily. Its lines are fluid and the coordination between point, line, and plane is perfect. There's almost no gap where the lid meets the body of the vase. The fit is high quality. I used a small kiln red terracotta made by my teacher's family, which can be felt to have a slightly rough texture when touched, making it easier to glaze.